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Hymns for God’s Peculiar People 29

The Coming Events

Words: [unclear]Music: [unclear]Tune: [unclear][unclear]

1The coming events of the kingdom of God,
Cast in glory its shadows before;
And my being would leap from its prison'd abode,
And the King in his beauty adore.

2He comes, and the spirit that lingers below;
In the hearts of the chosen and tried,
Is quicken'd, and tells, in its mystical flow,
The approach of the Bridegroom and Bride.

3The love, and the joy, and the peace of the blest,
Like the day star, arise in the soul,
And we taste the first fruits of the Eden of rest,
And we hasten to enter the goal.

4All glory, all glory, to him that was slain,
Who hath wash'd and redeem'd us to God ;
For he cometh with power in his kingdom to reign,
And the earth to his sceptre is bow'd.

Words
[unclear]
Music
[unclear]
Tune
[unclear]
Meter
[unclear]
Scripture
Rev 19:7-9; Rev 5:9-10; Dan 7:14

Public Domain

The verse

Meter
11.9.12.9
Foot
anapestic (da-da-DUM) · 42% of beats fit
Rhyme
ABAB
Scan every line

/ stressed · ˘ unstressed · ? not in the dictionary

Verse 1

The coming events of the kingdom of God,˘/˘˘/˘˘/˘˘/11A
Cast in glory its shadows before;/˘/˘˘//˘/9B
And my being would leap from its prison'd abode,˘˘/˘˘/˘˘/˘˘/12C
And the King in his beauty adore.˘˘/˘˘/˘˘/9B

Verse 2

He comes, and the spirit that lingers below;˘/˘˘/˘˘/˘˘/11A
In the hearts of the chosen and tried,˘˘/˘˘/˘˘/9B
Is quicken'd, and tells, in its mystical flow,˘/˘˘/˘˘/˘˘/11A
The approach of the Bridegroom and Bride.˘˘/˘˘//˘/9B

Verse 3

The love, and the joy, and the peace of the blest,˘/˘˘/˘˘/˘˘/11A
Like the day star, arise in the soul,/˘//˘/˘˘/9B
And we taste the first fruits of the Eden of rest,˘˘/˘//˘˘/˘˘/12A
And we hasten to enter the goal.˘˘/˘˘/˘˘/9B

Verse 4

All glory, all glory, to him that was slain,//˘//˘˘˘˘˘/11A
Who hath wash'd and redeem'd us to God ;˘//˘˘/˘˘/9B
For he cometh with power in his kingdom to reign,˘˘/˘˘/˘˘˘/˘˘/13A
And the earth to his sceptre is bow'd.˘˘/˘˘/˘˘/9C

Counted by machine from the CMU Pronouncing Dictionary. It cannot hear emphasis or a poet’s licence, so treat it as a place to start reading, not the last word.